Events 2009: |
The John Coltrane Memorial Contemporary Jazz Series kicks off second season Click here for details The John Coltrane Memorial Contemporary Jazz Series - Part II |
Events 2008:Kwanzaa Celebration Catered by Jerk Hut Date: December 3, 2008 Time: 5:00 PM Place: Sims 219 "Constructing History" with Carrie Mae Weems Internationally renowned artist, Carrie Mae Weems, will speak at Syracuse University on Wednesday, November 12th at 5:30 p.m. Her presentation, "Constructing History: The Visual Work of Carrie Mae Weems,” will be the held in the Watson Auditorium at Light Work/Community Darkrooms, 316 Waverly Avenue. It is the first event of the 2008-2009 colloquium series sponsored by the African American Studies Department. The event is free and open to the public. Weems’ photography-centered work incorporates text, sculpture, and sound to explore possibilities for political and cultural change, as well as “the complexity of human experience” in African American history and African cultures. Her award-winning work has been exhibited and collected by such major entities as The Metropolitan Museum, MOMA, the Whitney Museum, the Getty Museum, and the National Museum for Women in the Arts. She has held Artist-in Residence and teaching positions at institutions around the country. Date: Wednesday, November 12th Time: 5:30 Place: Watson Auditorium at Light Work/Community Darkrooms, 316 Waverly Avenue LINK TO PDF FLIER: Carrie Mae Weems Flier Link
PAS Graduate Student Brown Bag Series: 9/17, 10/22, and 11/19 The Department of African American Studies is proud to announce the start of the Pan African Studies Graduate Student Brown Bag Series occurring the 3rd Wednesday of each month in room 219 Sims Hall Time: 12 - 1:00 p.m. Date: Paul Burgman Title: Venezuelan Democracy: Abstract: Adnan Ajsic Title: A Pan African Lingua Franca? Abstract: Marcus Hill Title: Black Sexuality and Sex Work Abstract: Unlike mathematics, communications, science, and technology, sex work is rarely talked about unless it involves the participation of a public figure or celebrity. The recent scandal involving former New York governor Eliot Spitzer immediately comes to mind. Conversations on a general level tend to scapegoat the sex workers themselves as the reason for sex work, completely ignoring the people who purchase their services. American society has an additional flaw in its history that connects to sex work and that is the history of chattel slavery and the enslavement of Africans in this country. One of the results of this phase in American history is the complete exploitation of the body of the Black woman. Unlike enslaved African men whose physical labor was exploited, the enslaved African woman's reproductive abilities were a form of labor used to expand and continue slavery in this country. The methods used to get to that means involved extreme sexual terrorism. The Black woman's body in America became a vessel not her own. Its only function was to serve the needs of her white slave owners. The Black woman and her body became a commodity in the United States under chattel slavery. In order for this exploitation to continue it had to be justified. Thus the Black woman in America was scientifically proven to be a person with a hyper-sexuality and the constant sexual terrorism she experienced was her fault, not the fault of her terrorist (White, 1999). The Black woman became could not be raped because she has an animalistic sexuality; she is deviant. This dark history in American society has infected itself into America's present and has yielded problems that on the surface warrant no serious attention and remains at the individual level, but are actually rooted in history. More importantly, this history has given the Black woman in America a completely different history in this country from that of white women, Latina women, Asian women, and Native American women. That history has yielded a new present in which Black women are automatically assumed to be immoral beings that cannot control their sexualities. Though there are women who work as sex workers who are of different racial/ethnic backgrounds from Black women, it is the continued historical stigma of the Black woman as a hyper-sexual being that serves as the backbone of this research. |